Hits & Rarities - Singles A’s & B’s - The Move
Artist | The Move |
Title | Hits & Rarities - Singles A’s & B’s - The Move |
Release Date | Friday, July 21, 2023 |
Genre | Rock > Rock > Progressive Rock |
Copyright | © Repertoire |
Country | GERMANY |
Promotion Text
MOVE - No band this side of Beatles ever packed more creativity into their 45s
It's safe to say that no band this side of the Beatles (and perhaps not even them) ever packed more creative and challenging elements into their 45's, on the A-sides as well as the B-sides, than the Move did. Though they released four albums during this same period, the latter were so infrequent that they couldn't be the group's main vehicle for expression or experimentation -- it was the 7" platters that served this purpose, and it's even more to the credit of Roy Wood and company that they were able to pull that off successfully for five years. From the little vocal vamp inspired by Gustav Holst's The Planets at the end of "The Disturbance" to the reed accompaniment on "Flowers in the Rain," the gently lusting lyric buried amid the psychedelia-soaked "(Here We Go Round) The Lemon Tree," and the little near-quote from "Heat Wave" in the opening of "Vote for Me," there's just a lot going on in all of the group's songs, and one must give them credit for getting a lot of this recorded in the first place -- assembled together, it all makes for an imposing, at times almost overpowering collection of sounds, not just because of the innovations that they worked into their pop sides, but also the fact that, creative as they ever got, the Move always played their stuff hard, with a good attack on their instruments -- even "Blackberry Way," for all of its seeming debt to "Penny Lane," is played a lot harder than the Beatles ever attacked their instruments on the latter song, pushing that volume very hard (until "Curly," the Move never even issued a single side with an acoustic guitar in the foreground of the mix, and that was a fluke). For completeness' sake, the Italian version of "Something" closes out the first disc -- the second opens with the advent of the Jeff Lynne lineup of the band, kicking off with Wood's "When Alice Comes Back to the Farm" and Lynne's "What," which debuts the vocal/instrumental mix around Lynne's voice that would become the template for the Electric Light Orchestra. That disc gets to 20 songs by encompassing the five live songs off of the Something Else EP and the one odd song, "Useless Information," off of a Spanish EP. The sound throughout is very good - remastered with the fantastic Cedar system for greatest listening enjoyment.