Retrospective

RETROSPECTIVE, it´s the album number 11 of the new stage since 1998, contains a new collection of 80,s hits that have not yet been returned to record.Continues the saga of Compilations REMEMBER (2002) and MAKES ME HAPPY(2007). On this time Carlos Vaso / AZUL Y NEGRO, untiring creator and technologicaly magician to the service of music, presents 14 new recordings. He reflects their own vision on the duo's productions held in the 80's, some of them very experienced and high technology. And it has not been easy, especially because he has wanted to mantein the “spirit of the 80,s” without to modify the arrangements nor the essence of the songs and contributing those details that make them, if it´s possible, still more great. 14 tracks revisited and re-recorded of their hits between 1981 and 1993, next to another track that he has wanted to recover for the present time, form this surprising RETROSPECTIVE that takes their concept by name. With magic atmosphere of synths, deep bass lines, sequencers more dynamic, great melodies, wonderfull guitars, vocoders and raging percussion that shape the unmistakable style of Azul y Negro. All this makes this work in a masterly production, complete, and perhaps unique. Listen it, we travel in time and immerse us in that glorious decade of Spanish pop. Finally, to whet your appetite, insist on this version that opens the album called ELEANOR RIGBY. This is a "technoversión" the famous Beatles song, almost a hymn, which honors Carlos Vaso. And makes sense as it has been the only version that played Azul y Negro live in 1981 and was never recorded until now. Such challenges reserve special collaborators like Javier Losada (Tino Casal), with his arrangements and keys, and Javier Ojeda (Danza Invisible), with his unmistakable voice, they bring to this original version of an amazing strength and character. Also for male choirs of "Moscow Spring" featured contributors like Alberto Comesaña (exAmistades Dangerous), Amancio Jimenez and Roberto Gil (Tenesee) and JoseValencia (Icaro). To all thanks for your friendship, enthusiasm, experience and readiness. … Enjoy it !!!. About AZUL Y NEGRO The duo's most popular electronic music of Spain began his career in 1981. Its intelligent synergy of electronic sound, acoustic instruments and robotic voices with very danceable rhythmic foundation, they became promoters and promoters of electronic sound great in our country. Not by chance triumphed with issues which, although advanced cutting the time they reached the desired category of folk hymns.This is the case Me Estoy Volviendo Loco, The Night, No Tengo Tiempo and many other stellar tracks also influenced subsequent productions shared the same affinity for music technology. The original lineup of Azul Y Negro split in 1993 following the publication of the CD back to the future. However, the solution did not result in energy depletion of the profound musical project. The decade of 90 was a period of great creative activity for Carlos Vaso, founder and driving force behind one of the group. His sheer passion for electronic sounds and musical field technology applied to put him in a position now face a new solo project area surrounded by the magic and warmth spectral Azul Y Negro. The first expression of the new stage musical was named Innovate in 1998, followed in 1999 Symbiosis, Musical Mystery Box in 2001 and Recuerda (VM069, May 02), an affectionate compilation of 12 greatest hits of the '80s that Charles returned torecord using current technology, while retaining the original footprint and staff who exhibit all the original releases. Now as an album with 14 unreleased tracks, Mare Nostrum (VM100, October 2002) was the luxurious Azul Y Negro tribute to the Mediterranean Sea. In 2003 marked a milestone by becoming the first Spanish artist to spread his music commercially format support 5.1 surround using DTS-CD. ISS - Sonora Raid Surround (VM150) contains 12 tracks of high-tech...